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Truthiness to the Bump?

 

Scientist Finds Truthiness in the ‘Colbert Bump’

by Andrea Thompson of LiveScience.com

posted: 18 April 2008 ET Stephen and his Bump

With the intense competition between the two contenders for the Democratic presidential nomination, pundits have mused over whether Hillary Clinton’s appearance on “The Colbert Report” last night will give the former First Lady a so-called “Colbert bump,” a surge in popularity which the show’s host claims will accrue to any politician that appears on the show. 

Stephen Colbert first coined the eponymous term on his show after John Hall won in a close election to become a representative from New York in 2006 after an appearance on the “Report.” Hall defeated incumbent Sue Kelly, who had declined to make an appearance on the show. Colbert himself commented on this after the election:

“And how did he beat Kelly? According to the American Prospect, quote, ‘Her refusal to appear on cable’s popular “The Colbert Report” may have also proved somewhat costly,’” Colbert reported, adding, “Somewhat? All what. She could’ve gotten the ‘Colbert bump,’ instead she got the ‘Colbert dump.’”

Ever since, Colbert’s fans have been touting the powers of “the bump” in blogs, claiming it has boosted support for numerous politicians. 

But most of the evidence cited lacks a certain amount of scientific rigor, said James Fowler, a political scientist at the University of California, San Diego, and a fan of the show.

“I saw people talking about the ‘Colbert bump’ online, but … [they] took no account of the fact that most of the candidates who agreed to go on the show were running against candidates who really didn’t have a chance of winning. They were very protected,” Fowler said.

So he decided to put Colbert’s claim to a real test.

Continue reading ‘Truthiness to the Bump?’

Condemnation in Praise of Gordon Ramsay. And other American TV mistakes. . .

Top Chef - Gordon RamsayRecently Salon.com’s Alex Koppelman wrote a fantastic commentary which laments the weekly façade American audiences are served up in the name of “Gordon Ramsay”.

It is certainly easy enough to hold any celebrity or media target responsible for the image that is peddled in their name.  It’s also quite easy to point the finger at the Fox Network for cheapening and “schlockifying” Ramsay just as they have done with so many other ideas and people.  

Instead, what Koppelman does is point out what is good. . .  Really good about Gordon Ramsay, and the individual that represents culinary integrity, passion for craft and a belief in others.

Now only if someone would have the guts to tell this to the Fox Network and Ramsay’s producers.

–D.

In memory of Gordon Ramsay

The host of “Hell’s Kitchen” is a good chef, lost beneath his own shtick.

By Alex Koppelman

April 1, 2008 | Let’s make our purpose clear from the start: This is an elegy for the lost, under-lamented British chef Gordon Ramsay. A paean to the real Ramsay, the chef behind the facade. An ode to the Ramsay who isn’t a total dick.

The new season of Fox’s reality show “Hell’s Kitchen,” starring Ramsay, kicks off Tuesday night. It’s a show that seems deliberately designed to waste Ramsay’s considerable talents both as a chef and as a television personality by having him send inexperienced, talentless cooks through a particularly dull meat grinder. Ramsay and Fox give these poor saps simple kitchen tasks that are obviously way above their skill level, presumably in the hope they’ll fail. And then, joy of joys, Ramsay gets to turn insincerely red-faced and yell. Last season, the producers brought on a particularly tragic character — a fat, slightly dumb man who, nice as he seemed, was clearly not going to survive — who didn’t make it through the first episode before breaking down in tears. It was a good moment for no one. (That man would later be hospitalized, the second hospitalization in two seasons.) The victims — er, contestants — in “Hell’s Kitchen” are just cannon fodder for Ramsay’s temper tantrums, proof that American television sure does know how to destroy everything good and pure.*

Yes, Gordon Ramsay: good and pure. Because the sad thing is that it never had to be this way. Ramsay — the real Ramsay — is no hack. His restaurants worldwide have earned him a combined 12 Michelin stars. (That may not sound like many, but three stars is the highest rating possible, and earning even one is an honor. Lucifer will be burning winged pigs on a bitter night before most of Food Network’s chefs become capable of earning just one star.) Ramsay was a respected chef in Britain well before his introduction to American audiences. He trained under the infamous Marco Pierre White as well as the revered French chefs Guy Savoy and Joël Robuchon, and now has more than a dozen restaurants in his portfolio. There is no sugarcoating him: Ramsay was always, long before Fox twisted his personality beyond all recognition, an asshole. But his screaming used to serve a purpose. It used to be a small part of what he did in the kitchen — at least, the parts we saw on television — and it was done for a reason. For motivation, for teaching, for a good old-fashioned kick in the ass when one of his cooks needed it. On British television, that’s mostly still how Ramsay operates. Ramsay is, when he wants to be, a wonderful teacher, someone who is capable of making even the most complicated of techniques instantly comprehensible, even to an inexperienced home cook. But that’s just how the British get to experience him. Perhaps it’s a symbol of how others see the States, and even the low esteem we have for ourselves: The intelligent, nuanced Ramsay goes to the British (who’ve managed to retain an air of sophistication even though so much of their humor is based on a theory that ugly men in dresses are never not funny), but the blowhard Ramsay gets fed to the stupid Americans — we’re given a caricature, a man almost purely evil, who’s cruel just because he can be.

Here in the States, only BBC America shows us a glimpse of the other Ramsay. On “Ramsay’s Kitchen Nightmares,” the chef has a week to rescue a failing restaurant with hardly a prayer of survival. And if the businesses do make it, all credit goes to Ramsay, who shows occasional flashes of the familiar prick but is also warm, comforting and even helpful. Do not miss the episode in which Ramsay saves a restaurant dubbed Momma Cherri’s Soul Food Shack. The owner and employees of the shack actually seem to like Ramsay, and with good reason — with a little know-how, he turns a restaurant that’s failing but good at heart into a thriving establishment. At one point, owner Charita Jones starts to cry when she realizes she won’t lose her business thanks to Ramsay. I dare you to watch that scene and not tear up. (The episode airs next on April 17 at 6 p.m. EDT.)

By contrast, there’s Fox’s version of the show, “Kitchen Nightmares.” Here, Ramsay pretends to turn poor slobs who couldn’t run a child’s lemonade stand into the next great restaurateurs — all in that same week. It would be a whole lot more entertaining if the people being rescued were actually sympathetic and we could be convinced to root for the doomed restaurants. But then, that’s not the point — why learn something when you can settle for shock value and bargain-basement cheap drama?

Which only makes me long for more episodes of another Ramsay series BBC America carries, “The F Word.” It’s Ramsay’s reinvention: Short clips of Ramsay behaving like a decent human being. We’re introduced to his kids (they’re adorable). He teaches Britons accustomed to reheating crap for their friends and loved ones how to cook. He raises animals — turkeys, pigs, lambs — in his backyard so his children will understand where their dinner comes from, and so he can serve the best possible food to his customers. He makes nice with celebrities. He brings ordinary people to work at one of his restaurants and doesn’t treat them like filth. And he even manages to cook well, to remind us that there’s a reason beyond the temper that the man was famous in the first place.

On YouTube, there’s a video – an excerpt from “The F Word” — of Ramsay cooking a truly beautiful rib-eye steak. It’s food porn at its obscene best. In close-up, we see a soft pat of butter melting on top of a perfectly seared steak that’s been crowned with rosemary. Ramsay gently bastes the steak with even more melted butter from the pan in which the steak’s cooking; the molten fat and beef juices run in sensual little rivulets down the steak. Then Ramsay takes out the steak, looks at us and says, “Just leaaave it to rest.” Suddenly I’m as melted as the butter. (My writing a little too Penthouse Forum for you? Don’t get me started on this video of Ramsay cooking breakfast. Sure, I’m straight, but then I wonder — what would I be willing to do to have Gordon Ramsay serve me those scrambled eggs in bed one morning?) And yet, there’s a hard pit of despair at the bottom of my stomach. Somewhere, I fear, American television executives are watching this same clip and thinking to themselves, “Well, he’s good, but can he make a life-size replica of Eleanor Roosevelt out of an inedible cake? And would it kill him to say ‘E.V.O.O.’ a couple times an episode? Maybe I can sell this anyway, assuming he can pretend he’s really, really angry and potentially violent…”

But Fox seems not to have bothered to check out Ramsay’s British shows in order to see how entertaining he can be. The premiere of the latest season of “Hell’s Kitchen” is unwatchable from early on, when a disembodied voice that would make Vincent Price turn over in his grave announces, “Only three have ever survived the trials of ‘Hell’s Kitchen.’ Now, we are reawakening the beast. And the dark lord reigns again.” And to think — Ramsay acts as if it’s his contestants’ food that’s gag-inducing.

* * * * *

* Also from the “American Television Knowing How To Destroy Everything Good And True”  I HIGHLY recommend watching BBC’s hugely successful, hugely funny Top Gear. American TV is about to bung that up next. 

** Fox apparently has plans to shaft adapt Simon Pegg’s Spaced. Yes, the British series named by Empire magazine as number 10 of the 50 Greatest Shows of All Time. . . the show created by Shaun of the Dead’s creative team of Pegg and Edgar Wright which featured “Shaun’s” Nick Frost is to be Americanized.  Beyond that, it’s Fox’s imminent wisdom that Pegg and Wright should be kept out of it entirely.  Oh. McG is behind it. That explains it.

*** Does anybody remember the American version of Coupling? Yeah, lasted 9 episodes.  3.2 stars on the IMDB.  Probably a good thing it died as quickly as it did.  Do yourself a favor and catch the funny original on BBC America.

I should say that I am aware of the success of shows like The Office, or even the heritage of “American” classics such as All in the Family and Three’s Company.  But shows like that strike me as the exceptions to the rule, each of them imbued with a certain magic, chemistry, or dare I say it, originality which set it apart from its predecessor. I hear creative people in this business ask the question “Have we run out of ideas?”  I don’t think we have.  Worse yet, I think it is sheer laziness.  

But that is just one man’s opinion. . .

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Jules Dassin: 1911-2008

Filmmaker Jules DassinFor me one of the most powerful directors of the Noir genre, and also one of the most unsung of all of Hollywood’s directors was Jules Dassin. We lost him Monday at the age of 96.


Dassin had a wide range of work and styles, remembered for films like The Canterville Ghost, Never on Sunday and Topkapi. However for me, and many others, Dassin was one of the giants and definitive filmmakers of Films Noir.


Between the years of 1947 and 1955 he directed Brute Force, The Naked City, Thieves’ Highway, Night and the City and Rififi. A quintet of Noir masterpieces.


Films like Force and Highway were also powerful films of conscience, far from the “B-movies” that they would be classified as. Dassin was a leftist filmmaker (though not in an overriding sense), a filmmaker with a distaste for corruption and injustice.


Naturally, this and his temporary involvement with the Communist Party of the U.S. made him ripe for the picking when filmmakers Edward Dmytryk and Frank Tuttle named him to the House Un-American Activites Committee. Like so many other talented, thoughtful and courageous and innocent people, Dassin was blacklisted, and un-able to work in Hollywood.


This week, The Criterion Collection’s Issa Club posted on fantastic piece on Dassin, having had the great fortune to interview the director twice. In it, he nails not only what was great about Dassin as a filmmaker, but Dassin as a human being; Soft spoken and unassuming even after the experiences of his life as Hollywood filmmaker and American exile. The interview appearing on Criterion’s edition of Rififi is easily some of the best conversation I have ever heard from an old master, and in listening you get the sense of joy that Issa Club must have had in spending time listening to this man.


If you aren’t familiar with the man’s work in life, I can’t recommend enough taking a look at his work in retrospect, especially his Noir masterpieces. Screenwriters and directors should take a look what this man did with character and story, and if you consider yourself any sort of cinema aficionado, be sure to check out Issa Club’s piece. He does a much better job of summing up Dassin than I can.



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Assignment: 15 Film Quotes - Updated with Answers

via Darkneuro, etc.

Pick 15 favorite movies…
Go to IMDB and find a quote for each movie…
Post the representative quotes (NO google, no searches. Please. Takes away the love)…
Fill in the film title once it’s guessed. (In my case, I am hotlinking the films once they are answered properly.)

For my participant’s benefit, I’ve taken a couple of extra steps. A) I’ve kept them to a single speaker, and avoided dialogues entirely, and B) I have tried to make them fairly quotable and not simple random lines.

Note that a couple of these come from movies that have been re-made. Indicate which version for extra credit. . .

Good Luck!

1. Why is it that a woman always thinks that the most savage thing she can say to a man is to impugn his cocksmanship?”

2. “A New Mexico woman was named Final Arbiter of Taste & Justice today, ending God’s lengthy search for someone to straighten this country out. Eileen Harriet Palglace will have final say on every known subject, including who should be put to death, what clothes everyone should wear, what movies suck, and whether bald men who grow ponytails should still get laid.”

3. “Ah. Well… I attended Juilliard… I’m a graduate of the Harvard business school. I travel quite extensively. I lived through the Black Plague and had a pretty good time during that. I’ve seen the EXORCIST ABOUT A HUNDRED AND SIXTY-SEVEN TIMES, AND IT KEEPS GETTING FUNNIER EVERY SINGLE TIME I SEE IT… NOT TO MENTION THE FACT THAT YOU’RE TALKING TO A DEAD GUY… NOW WHAT DO YOU THINK? You think I’m qualified?”

4. “He said war was too important to be left to the generals. When he said that, 50 years ago, he might have been right. But today, war is too important to be left to politicians. They have neither the time, the training, nor the inclination for strategic thought. I can no longer sit back and allow Communist infiltration, Communist indoctrination, Communist subversion and the international Communist conspiracy to sap and impurify all of our precious bodily fluids.”

5. “Bob, I want all my Garmonbozia.”

6. “We get caught laundering money, we’re not going to white-collar resort prison. No, no, no. We’re going to federal POUND ME IN THE ASS prison.”

7. “The light that burns twice as bright burns half as long - and you have burned so very, very brightly, Roy.”

8. “Look Dave, I can see you’re really upset about this. I honestly think you ought to sit down calmly, take a stress pill, and think things over.”

9. Friends, you shall drip rubies. You’ll soon drip precious rubies. . .”

10. “Our bodies are prisons for our souls. Our skin and blood, the iron bars of confinement. But fear not. All flesh decays. Death turns all to ash. And thus, death frees every soul.”

11. I picked you for the job, not because I think you’re so darn smart, but because I thought you were a shade less dumb than the rest of the outfit. Guess I was wrong. You’re not smarter, Walter… you’re just a little taller.”

12. “It’s my wedding present to him, but the way he wears it, you’d think it was a noose around his neck.”

13. “How shall we fuck off, O Lord?”

14. “It’s a terrible thing to hate your mother. But I didn’t always hate her. When I was a child, I only kind of disliked her.”

15. “Are you righteous? Kind? Does your confidence lie in this? Are you loved by all? Know that I was, too. Do you imagine your suffering will be any less because you loved goodness and truth?”

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Two Music Videos by The Mars Volta

I’m sharing two videos by The Mars Volta. They’re often categorized as Progressive Rock, but I will admit to having a love/hate relationship with the term and the genre. So it isn’t often that I will lump a band I like into that genre, despite the fact that I do like some notable bands from the genre.

The first video posted above is The Widow from the band’s second album Frances the Mute. It’s worth posting here for it’s Jodorowski-flavored feel, and the music is first rate. Not everyone will “get” The Volta, but these guys are honestly some of the best out there making music today. It’s challenging music, and I don’t even guarantee that folks who come to like them, will do so right off the bat. But for many, the band’s music will be a revelation.

The video from Televators, off the album De-loused in the Comatorium is a fascinating watch. Definitely on the memorable, if not hypnotic side. Comatorium is the band’s first album and features appearances by The Red Hot Chili Peppers’ Flea and John Frusciante. A landmark first album.

Both of the videos struck me as not only musically interesting, but cinematically so, as well. If you like what you see here, I suggest taking a click over to The Volta’s homepage at Jaamoo.com where you can find some of their live performances.

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Richard Widmark 1914-2008

Richard Widmark was one of those great character actors most won’t remember by name, but will remember the face. And certainly seeing the face will always call to mind a certain look that spoke of the deep percolating layers beneath.

Being a Film Noir devotee, Richard Widmark stands out to me as one of the seminal actors of the genre. Films such as Pickup on South Street, Night and the City and Don’t Bother to Knock are all mandatory viewing. Folks my age will likely remember him in the remake of the classic Noir Out of the Past, as the steely-eyed Ben Caxton in Against All Odds. Didn’t know that was a re-make, eh?

However, it will be a moment in his film debut that he will probably be best remembered for. To this day, one of the most chilling and challenging scenes in all of classic cinema. That scene was in Kiss of Death.

Watch, learn and remember.

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Progressives for Obama

A commentary written by Tom Hayden, Bill Fletcher Jr., Danny Glover and Barbara Ehrenreich and published online by The Nation Magazine.

March 24th, 2008

Barack Obama for PresidentAll American progressives should unite for Barack Obama. We descend from the proud tradition of independent social movements that have made America a more just and democratic country. We believe that the movement today supporting Barack Obama continues this great tradition of grassroots participation, drawing millions of people out of apathy and into participation in the decisions that affect all our lives. We believe that Barack Obama’s very biography reflects the positive potential of the globalization process that also contains such grave threats to our democracy when shaped only by the narrow interests of private corporations in an unregulated global marketplace. We should instead be globalizing the values of equality, a living wage and environmental sustainability in the new world order, not hoping our deepest concerns will be protected by trickle-down economics or charitable billionaires. By its very existence, the Obama campaign will stimulate a vision of globalization from below.

As progressives, we believe this sudden and unexpected new movement is just what America needs. The future has arrived. The alternative would mean a return to the dismal status quo party politics that has failed so far to deliver peace, healthcare, full employment and effective answers to crises like global warming.

During past progressive peaks in our political history–the late thirties, the early sixties–social movements have provided the relentless pressure and innovative ideas that allowed centrist leaders to embrace visionary solutions. We find ourselves in just such a situation today.

We intend to join and engage with our brothers and sisters in the vast rainbow of social movements to come together in support of Obama’s unprecedented campaign and candidacy. Even though it is candidate-centered, there is no doubt that the campaign is a social movement, one greater than the candidate himself ever imagined.

Progressives can make a difference in close primary races like Pennsylvania, North Carolina, Oregon and Puerto Rico and in the November general election. We can contribute our dollars. We have the proven online capacity to reach millions of swing voters in the primary and general election. We can and will defend Obama against negative attacks from any quarter. We will seek Green support against the claim of some that there are no real differences between Obama and McCain. We will criticize any efforts by Democratic superdelegates to suppress the winner of the popular and delegate votes, or to legitimize the flawed elections in Michigan and Florida. We will make our agenda known at the Democratic National Convention and fight for a platform emphasizing progressive priorities as the path to victory.

Obama’s March 18 speech on racism was as great a speech as ever given by a presidential candidate, revealing a philosophical depth, personal authenticity, and political intelligence that should convince any but the hardest of ideologues that he carries unmatched leadership potentials for overcoming the divide-and-conquer tactics that have sundered Americans since the first slaves arrived here in chains.

Only words? What words they were.

However, the fact that Barack Obama openly defines himself as a centrist invites the formation of this progressive force within his coalition. Anything less could allow his eventual drift towards the right as the general election approaches. It was the industrial strikes and radical organizers in the 1930s who pushed Roosevelt to support the New Deal. It was the civil rights and student movements that brought about voting rights legislation under Lyndon Johnson and propelled Eugene McCarthy and Bobby Kennedy’s antiwar campaigns. It was the original Earth Day that led Richard Nixon to sign environmental laws. And it will be the Obama movement that will make it necessary and possible to end the war in Iraq, renew our economy with a populist emphasis, and confront the challenge of global warming.

We should not only keep the pressure on but also connect the issues that Barack Obama has made central to his campaign into an overarching progressive vision.

  • The Iraq War must end as rapidly as possible, not in five years. All our troops must be withdrawn. Diplomacy and trade must replace further military occupation or military escalation into Iran and Pakistan. We should not stop urging Barack Obama to avoid leaving American advisers behind in Iraq in a counterinsurgency quagmire like Afghanistan today or Central America in the 1970s and 1980s. Nor should he simply transfer American combat troops from the quagmire in Iraq to the quagmire in Afghanistan.
  • Iraq cannot be separated from our economic crisis. Iraq is costing trillions of dollars that should be invested in jobs, universal healthcare, education, housing and public works here at home. Our own Gulf Coast requires the attention and funds now spent on Gulf oil.
  • Iraq cannot be separated from our energy crisis. We are spending an unheard-of $100/barrel for oil. We are officially committed to wars over oil supplies far into the future. We instead need a war against global warming and for energy independence from Middle Eastern police states and multinational corporations.

Progressives should support Obama’s sixteen-month combat troop withdrawal plan in comparison to Clinton’s open-ended one, and demand that both candidates avoid a slide into four more years of low-visibility counterinsurgency.

The Democratic candidates should listen more to the blunt advice of the voters instead of the timid talk of their national security advisers. Two-thirds of American voters, and a much higher percentage of Democrats, oppose this war and favor withdrawal in less than two years, nearly half of them in less than one year. The same percentage believe the war has had a negative effect on life in the United States, while only 15 percent believe the war has been positive. Without this solid peace sentiment, neither Obama nor Clinton would be taking the stands they do today.

Further, the battered and abused people of Iraq favor an American withdrawal by a 70 percent margin.

The American government’s arrogant defiance of these strong popular majorities in both America and Iraq should be ended this November by a powerful peace mandate.

The profound transition from the policies of the past will not be easy, and fortunately the Obama campaign is lifted by the fresh wind of change. We seek not only to change the faces in high places, however, but to save our country from slow death by greed, status quo politics and loss of vision. The status quo cannot stand much longer, neither that of politics-as-usual nor that of our security, energy and economic policies. We are stealing from the next generation’s future, and living on borrowed time.

The Bush Administration has replaced the cold war with the “war on terrorism,” led by the same military-industrial complex that President Eisenhower warned against. The reality and public fear of terrorism today is no less real than fear of communism and nuclear annihilation a generation ago. But we simply cannot continue multiple military interventions in many Muslim countries without increasing the vast number of violent jihadists against us, bleeding our military and our economy, becoming more dependent on Middle East oil, creating unsavory alliances with police states, shrinking our own civil liberties and putting ourselves at permanent risk of another 9/11 attack.

We need a brave turn towards peace and conflict resolution in the Middle East and the Muslim world. Getting out of Iraq, sponsoring a two-state solution between Israel and the Palestinians, ending alliances with police states in the Arab world, unilaterally initiating real energy independence and moving the world away from the global warming crises are the steps that must be taken.

Nor can we impose NAFTA-style trade agreements on so many nations that seek only to control their own national resources and economic destinies. We cannot globalize corporate and financial power over democratic values and institutions. Since the Clinton Administration pushed through NAFTA against the Democratic majority in Congress, one Latin American nation after another has elected progressive governments that reject US trade deals and hegemony. We are isolated in Latin America by our cold war and drug war crusades, by the $500 million counterinsurgency in Columbia, support for the 2002 coup attempt in Venezuela and the ineffectual blockade of Cuba. We need to return to the Good Neighbor policies of Franklin D. Roosevelt, policies that rejected Yankee military intervention and accepted Mexico’s right to nationalize its oil in the face of industry opposition. The pursuit of NAFTA-style trade policies inflames our immigration crisis as well, by uprooting countless campesinos who inevitably seek low-wage jobs north of the border in order to survive. We need balanced and democratically approved trade agreements that focus on the needs of workers, consumers and the environment. The Banana Republic is a retail chain, not an American colony protected by the Monroe Doctrine.

We are pleased that Hillary Clinton has been responsive to the tide of voter opinion this year, and we applaud the possibility of at last electing an American woman President. But progressives should be disturbed by her duplicitous positions on Iraq and NAFTA. She still denies that her 2002 vote for legislation that was called the war authorization bill was a vote for war authorization. She now promises to “end the war” but will not set a timeline for combat troop withdrawal, and remains committed to leaving tens of thousands of counter-terrorism troops and trainers in Iraq amidst a sectarian conflict. While Obama needs to clarify his own position on counterinsurgency, Clinton’s “end the war” rhetoric conceals an open commitment to keep American troops in Iraq until all our ill-defined enemies are defeated–a treadmill that guarantees only the spawning of more enemies. On NAFTA, she claims to have opposed the trade deal behind closed doors when she was first lady. But the public record, and documents recently disclosed in response to litigation, prove that she was a cheerleader for NAFTA against the strong opposition of rank-and-file Democrats. The Clintons ushered in the Wall Street Democrats whose deregulation ethos has widened inequality while leaving millions of Americans without their rightful protections against market shocks.

Clinton’s most bizarre claim is that Obama is unqualified to be commander-in-chief. Clinton herself never served in the military, and has no experience in the armed services apart from the Senate armed services committee. Her husband had no military experience before becoming President. In fact, he was a draft opponent during Vietnam, a stance we respected. She was the first lady, and he the governor, of one of our smallest states. They brought no more experience, and arguably less, to the White House than Obama would in 2009.

We take very seriously the argument that Americans should elect a first woman President, and we abhor the surfacing of sexism in this supposedly post-feminist era. But none of us would vote for Condoleezza Rice as either the first woman or first African-American President. We regret that the choice divides so many progressive friends and allies, but believe that a Hillary Clinton presidency would be a Clinton presidency all over again, not a triumph of feminism but a restoration of the aging, power-driven Wall Street Democratic hawks at a moment when so much more fresh imagination is possible and needed. A Clinton victory could only be achieved by the dashing of hope among millions of young people on whom a better future depends. The style of the Clintons’ attacks on Obama, which are likely to escalate as her chances of winning decline, already risks losing too many Democratic and independent voters in November. We believe that the Hillary Clinton of 1968 would be an Obama volunteer today, just as she once marched in the snows of New Hampshire for Eugene McCarthy against the Democratic establishment.

We did not foresee the exciting social movement that is the Obama campaign. Many of us supported other candidates, or waited skeptically as weeks and months passed. But the closeness of the race makes it imperative that everyone on the sidelines, everyone in doubt, everyone vascillating, everyone fearing betrayals and the blasting of hope, everyone quarreling over political correctness, must join this fight to the finish. Not since Robert Kennedy’s 1968 campaign has there been a passion to imagine the world anew like the passion and unprecedented numbers of people mobilized in this campaign.

For more information, go to Progressives for Obama.com.

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Barack Obama: A More Perfect Union (Mandatory Viewing)

This recent speech given and written entirely by Barack Obama is easily the most important political speech ever delivered in my lifetime. And no matter where you think your vote is going in November, you owe it to yourself to listen to this speech which, I have no doubt, will be printed in American history books in years to come.

Come November, if given the opportunity, I will not vote for the candidate who is willing to continue an immoral and unjust war for another 50-100 years. Nor will I vote for the candidate who is willing to divide her own party just to “unite” the country. I will not support a continued political dynasty.

I will however, vote for Barack Obama.

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Olbermann Rocks Again: The Clinton Camp, Geraldine Ferraro and Racism

Oscar Pool Cheat Sheet!

The Oscar!

This year as a service to those participating in Oscar night parties, I am giving my complete list of who I think this year’s winners will be. Yes, I am including the hard ones like Achievement in Sound Mixing. I have won these contests many times before, so if you are looking for a good shot at winning the pot, these are my best guesses for the year.

I would also like to add, these are not my personal choices, nor am I a member of the Academy of Motion Picture Arts and Sciences (though I have held more than a couple of Oscars - Woo Hoo!)

No guarantees, but good luck!

  • Best Picture - No Country for Old Men
  • Best Actor - Daniel Day-Lewis, There Will Be Blood
  • Best Supporting Actor - Javier Bardem, No Country for Old Men
  • Best Actress - Marion Cotillard, La Vie en Rose
  • Best Supporting Actress - Ruby Dee, American Gangster
  • Best Director - The Coen Brothers, No Country for Old Men
  • Best Original Screenplay - Diablo Cody, Juno
  • Best Adapted Screenplay - The Coen Brothers, No Country for Old Men
  • Best Foreign Film - Beaufort (Israel)
  • Best Animated Feature - Ratatouille
  • Best Achievement in Art Direction - Sweeney Todd, The Demon Barber of Fleet Street
  • Best Achievement in Cinematography - There Will Be Blood
  • Best Achievement in Costume Design - Elizabeth, The Golden Age
  • Best Documentary Feature - Operation Homecoming: Writing the Wartime Experience
  • Best Documentary Short - Freeheld
  • Best Achievement in Editing - La Scaphandre et la Pappillon (The Diving Bell and the Butterfly)
  • Best Achievement in Makeup - Norbit
  • Best Original Score - Atonement
  • Best Original Song - “Raise it Up”, August Rush
  • Best Animated Short - Madame Tutli - Putli
  • Best Live Action Short - Tanghi Argentini
  • Best Achievement in Sound Editing - Ratatouille
  • Best Achievement in Sound Mixing - Transformers
  • Best Achievement in Visual Effects - Transformers

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Person Daniel Day-Lewis
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